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Zoot Suit
by Universal Studios
Zoot Suit - Click to Enlarge
Avg. Rating: 4 of 5 stars (based on 5 reviews)
$5.54 to $12.95 from 4 stores
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Customer Reviews
3 out of 3 people found the following review helpful:
5 of 5 stars  Luis Valdez is the Mexican American Shakespeare!
Friday, March 18, 2005
This movie is California history
come to life.
It is a Mexican American story
told by the master.
Has has all the elements of a classic:
tragedy, love and good music!

5 out of 5 people found the following review helpful:
3 of 5 stars  Zoot Suit
Tuesday, June 29, 2004
I saw this on the Independent Film many years ago, very good film, revolves around Gangs but gangs in the 1940's.

Also a film about Latinos (my people) and the problems they face in the inner city.

It's much better than those terrible soap opera's in Mexico, this film is a musical but it's also a drama focusing on different Hispanic characters.

Edward James Olmos career is synomonus with these type of films
most notable "American Me", "Stand and Deliver", "My family"
a great actor who is part of the real population.

Despite the great performances the film does suffer from
its story, you know several hot headed characters with their
attitude and lifestyles are only headed downhill and their
fates are predetermined.

Still "Zoot Suit" is a good film.


2 out of 7 people found the following review helpful:
3 of 5 stars  Chasing "The Capeman"
Monday, February 02, 2004
"Zoot Suit" was fighting and uphill battle for my appreciation. That's because I wanted it to be something else entirely. You see, I love the idea of filming live theatre. Purists and snobs will tell you that you lose something essential by taping a performance. Namely the immediacy of the live show--the audience's involvement, right there in the moment. But, on the other hand, that loss is inevitable and unavoidable. The camera is by its nature a detached observer. But it freezes in time what would otherwise be lost forever, unless of course it is revived. And revived is the perfect term because the work is on the brink of death until dedicated actors, directors and audiences are once again ready to breathe life into the piece. I have immense respect for the stage, but if I ever have the opportunity to write professionally I hope to start with screen or print because those two media are easily preserved. Which brings me at long last to my point, I rented "Zoot Suit" because it was close in theme to "The Capeman" which I want to see with all my heart. It has been gone from the stage for years, but is preserved in an almost inaccessible archive. "Zoot Suit" is here for all to see, and it is most certainly worth a viewing. It is much better than "West Side Story." Why is it that a play, which was first and foremost supposed to be an update of "Romeo and Juliet" has instead been elevated to being the end-all and be-all portrayal of street-gang life on the American stage? Anyway, rent it, watch it, enjoy it. Keep in mind that all three are separate plays and you will be much more apt to appreciate each in their own right. Just keep your fingers crossed that someone will take a risk and buy the rights to "The Capeman." I know I am.

9 out of 13 people found the following review helpful:
5 of 5 stars  Una pachanga musical!
Friday, September 05, 2003
Si usted es aficionado a la cultura chicana, la música swing de los años cuarenta, o de los artistas Edward James Olmos o Lalo Guerrero, ¡esta es la película para usted! La pantalla se enciende con una avalancha de música, baile y drama. La cinta lo lleva a experimentar una noche con el Teatro Campesino del dramaturgo Luis Valdez. ¡Luzca su mejor tacuche! ¡Dele brillo a esos calcos! Póngase abusado que la pachanga va empezar. ¡Simón, carnal!

4 out of 12 people found the following review helpful:
4 of 5 stars  Important historical drama, hampered by stilted production
Monday, December 16, 2002
This re-telling of the so-called "zoot suit riots" that rocked the Los Angeles homefront during World War II gets the facts right, but tells them rather poorly. Part of it is the super-stagey presentation, which basically is a filming of the play this was based on (right down to the shaking props and backdrops) and which takes little advantage of the possibilities of the film medium. Plus, Edward James Olmos is absolutely insufferable as the uber-symbolic Voice of The Barrio, although Daniel Valdez and Tyne Daly (!) are okay in their respective roles as a young man railroaded by the white establishment for a crime he did not commit, and as the commie agitator who comes to his defense. Anyone interested in the time period and in Chicano politics may benefit from watching this -- I rented it while doing some reseach on the "pachucho" R&B music scene -- but in dramatic and filmic terms, this is not a first-rate production. It's hammy and ham-fisted. Latter-day star spotting: El Teatro Campesion veteran Robert Beltran (of future "Star Trek Voyager" notoriety) has a bit role as a modern-day audience member...

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