A monster hit when it opened in 1954, and still a staple of community theatre groups, PAJAMA GAME has a delightfully refreshing score that never takes itself too seriously. On the whole it offers a better-than-average number of stand-out songs: "I'm Not At All in love", "Hey There", "Small talk", "Steam heat", "Hernando's Hideaway" and the ensmble "7 1/2 Cents." There are, however a few stumbles. "A new Town is a Blue Town" is dreary. "Her Is" is silly although the Bob Fosse dance routine made it work on stage. Both these were dropped from the movie version, so I suspect the authors also felt this material was weak.

The movie retained all of the original cast leads except for Janis Paige as Babe (replaced by Doris Day.) Day sings Babe's songs better, so your choice between the cast album and the movie soundtrack will depend on whether you need the whole score or not.

As for ths reissue...once again Sony has done a first-rate job. The sound is full bodied and rich, though necessarily mono, and the package includes some well-written liner notes.

"The Pajama Game" is a truly great musical. Although it's most popular songs have truly been immortalized, such as "Hernando's Hideaway" and "Hey There", the show itself seems to be sadly forgotten by many (depite winning both Best Score and Best Musical in the Tonys). It remains very popular with amateurs and high schools, though.

This recording of The Pajama Game, a remastered version on the original cast, has VASTLY improved sound and some great extra tracks. Despite the new tracks, though, a lot of the score is completley missing from this recording, and a lot of the songs have been abridged, cutting out dialogue sections and a lot of dance music, like the wonderful "Jealousy Ballet" number, but the loss can be both a blessing and a curse.

The cast is the best recorded, in my opinion.

John Raitt as Sid - I'm not sure if this show was Raitt's star turn or Carousel was, but regardless, he is a fantastic talent and it really shows on this recording. His solos on this recording are superior to any other renditions. "Hey There", "A New Town Is a Blue Town", and "There Once Was a Man"(my personal favorite) are just fantastic. Great all around.

Janis Paige as Babe - Ok...she grows on you. If Paige is not singing in a more characterized voice, than she needs to be shot because she sounds like a wounded animal, BUT for the role her funky voice is very well suited. Her belt voice doesn't use much vibrato or any classical broadway norms, but her much grittier voice brings a more "real" feel to her character. "I'm Not At All In Love" is great and her comedic-like turn in "There Once Was a Man" is also fantastic.

Eddie Foy Jr. as Hines - I just recently finished performing as Hines in a production of "The Pajama Game" so I know the role well. Foy is my favorite recorded Hines, he has such a different voice and personality to his character that simply cannot be imitated. It's a shame so much of his role was cut from the movie. "I'll Never Be Jealous Again" is pleasantly comic, "Think Of The Time I Save" is cute and pleasant, and the opening is also great. An excellent performance.

Carol Haney as Gladys - Gladys is THE show stealing role of "The Pajama Game", and the underrated and underused Carol Haney stole this production way back when. Haney is cooky, lovable, and on stage, a fantastic dancer. Haney stepped into the role originally envisioned for Gwen Verdon and made it the role it is today, funny and wonderful. Haney sings two of the show's classics, "Steam Heat"(the best recorded), and "Hernando's Hideaway" both totally wonderful.

Stanley Prager as Prez - A really great performance. Prager gives a rough, growling voice to Prez and it comes off as a great perfomance. "Her Is" is great, as is "Seven and A Half Cents"(although Prager's voice humorously cracks in mid-verse). A good performance.

Reta Shaw as Mabel - Can't pull off a cute and perverted old lady any other way. Shaw's performance is solid in "I'll Never Be Jealous Again" with Foy. Pleasant to listen to.

Well, all in all, this recording, though very abridged, has the best cast and is just as good as a choice for a recording of the show. Both is better, but for casual and curious listeners, this one beats the London cast. For those who really want the full score, go London. If I had to pick the superior, I would very reluctantly choose this one(reluctantly, due to the abridged score and Ms. Paige. One thing is for sure, every theater lover must own a copy of this wonderful show.

I love the Pajama Game. First of all, it had an immense influence on me, having been the first musical I ever heard and the force that originally set in motion by fixation on Broadway musicals.

I also have to _deeply_ disagree with Mr. Stuart Howard, and to suggest that he in fact has no idea what he is talking about. All the musicals he said were "more important" than the Pajama Game only seem that way because they have been revived time and again. "Pajama Game" simply had the bad luck to become hopelessly dated due to cultural changes, and thus nearly impossible to revive successfully. Still, I personally think "Hernando's hideaway" and "Think of the time I save" still qualify as modern classics, and certainly it's hard to argue that "Once-a-year-day" hasn't been absorbed into our cultural consciousness.

As for Ms. Paige, I _love_ her cynical, witty delivery and extremely unique voice and style of singing, and I tend to believe that anyone who can't see her appeal has, to be blunt, outlandishly poor taste in music.

I love the Pajama Game, and, incidentally, I _highly recommend this CD. John Raitt's voice is a little cold, but it is also amazingly beautiful. The three comedy relief roles will all have you howling, Janice Paige is, as stated before, a genius, and unlike in my musicals, the songs will give you a sufficient idea of not only the story, but the characters...and "The Pajama Game" has deeper and more complex characters than any of the other old-fashioned musical comedies I can think of.

Super score. Two standards of the genre: Hey There and Hernando's Hideaway, but also a number of outstanding production numbers and duets: "Seven and a Half Cents", "Steam Heat", "I'll Never Be Jealous Again", "There Once Was a Man". Most of the singing is excellent but sometimes I have to admit Janis Paige isn't on pitch and I prefer (dare I say it) Doris Day in the movie. John Raitt is the professional he always was. This is a 50's musical through and through, filled with serious love songs, comedy with a satirical bite, and endless energy. The extra tracks on this CD are nothing too wonderful, with excerpts from a pretty banal interview with composer Jerry Ross, but they do include a song you won't hear (for good reason -- despite inteviewer Mike Wallace's glowing support it is a pretty bad song) in the show. Want to know why this show was so good: George Abbott, John Raitt, Bob Fosse, Harold Prince, Adler and Ross, Eddie Foy, Jerome Robbins, Carol Haney, Peter Gennaro. Yes, there are shows with a power-packed line-up like that, that have been bad, but not many. Enjoy the memories this will bring back.

Geez....this was an okay CD and some of the songs such as Hey There and A New Town Is a Blue Town were great because John Raitt has an excellent voice but Janis Paige I couldnt' say the same about. I'm sorry but those high notes were torture...she seemed as though she was having a horrible time herself trying to reach them. The songs are all classics but I would look into maybe buying a different version of this classic.