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Snatching It Back-Best of
by Rhino Records
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Avg. Rating: 4.75 of 5 stars (based on 4 reviews)
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Journeyman Clarence Carter is seldom cited among the solid circle of soul men who--like Otis Redding, Wilson P… Read more
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Product Description
Snatching It Back-Best of
Description
Journeyman Clarence Carter is seldom cited among the solid circle of soul men who--like Otis Redding, Wilson Pickett, and Solomon Burke--are considered the architects of the rhythm & blues of the '60s. Nevertheless, as witnessed by this 21-track set, Carter did more than his share to forward the art of testifyin' musical truth-tellin'. Here Carter emerges as a tried-and-tested Southern soul brother who had crafted his own, distinctive vocal style. Known for a hearty laugh that he often dropped into tunes like the 1968 hit "Looking for a Fox" and the riotous "Back Door Santa," he routinely addressed the theme of infidelity that provided the backdrop to singles like "Slip Away" and this disc's title track. These cuts were all made at the famed Muscle Shoals studio in Carter's native Alabama, using many of the same musicians who graced hit records by Aretha Franklin and other legends in the late '60s. While he could turn a weeper like "Patches" (originally recorded by Detroit's Chairmen of the Board) into a major pop and R&B hit in 1970, Carter's real talent as a storyteller is clearly evident on his reworking of the Etta James classic "I'd Rather Go Blind" and the standout reading of James Carr's "Making Love (At the Dark End of the Street)" complete with typical Carter rap. --David Nathan
Customer Reviews
1 out of 1 people found the following review helpful:
4 of 5 stars  THE REAL CLARENCE CARTER
Friday, January 31, 2003
Of the the many soul artists of the mid-60's, Clarence Carter was underated by many of the northern radio station D.J.'s and program directors. Living in Baltimore at the time Clarence was recording on the 'Fame' label, only 1 station would play his music with any consistancy and that was WANN in Annapolis, Md..
I'm happy to see this album available but miss cuts like;
Funky Fever, Thred the Needle, The Court Room and a few others.
Overall, this album will fill the soul gaps in anyone's collection. Now, if I could only find some original Andre Williams.

2 out of 2 people found the following review helpful:
5 of 5 stars  One of my favorite CD's
Thursday, September 14, 2000
Wow. what a cd. The whole album is full of classic tracks. I play this CD so much. His voice is one of the most amazing that I have ever heard. It blows me away every time I listen to this CD. I wish that he would tour through NY. This CD is a must for anybody who ever remotely likes soul music. Buy this CD. BUY THIS CD NOW!!!!!

2 out of 2 people found the following review helpful:
5 of 5 stars  Clarence Carter is one of the greatest soul singers
Tuesday, August 01, 2000
Clarence Carter's work for the Atlantic and Fame labels is my favourite soul music. In my opinion his music from the sixties and early seventies is better than that of Otis Redding, Aretha Franklin or any other southern soul man or woman. I feel that he was greatly under-rated during that era. He had a great voice, catchy tunes, and beautiful horn and guitar work. Many of Carter's greatest songs from that period are on this particular album, and I think that it is a must-have. For those to whom Clarence Carter is new, I advise them to get the following albums as well: This is Clarence Carter, The Dynamic Clarence Carter, Patches, Testifyin', Sixty Minutes with Clarence Carter, Heart Full of Song, Loneliness and Temptation, and the original The Best of Clarence Carter.

3 out of 3 people found the following review helpful:
5 of 5 stars  Stunnning Stunning Stunning
Tuesday, December 21, 1999
In the UK he's only known for the execrable "Patches" but Clarence Carter is truly one of soul music's greats. He has a shrewd sense of humour ("I can't see myself" and "I'd rather go blind" are strange song choices for a blind singer) but his writing delivery and SOUL are superb. A must have.

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